Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez The Feast of Bacchus oil painting


The Feast of Bacchus
1628-29 Museo del Prado, Madrid
Painting ID::  736
Diego Velazquez
The Feast of Bacchus
1628-29 Museo del Prado, Madrid
   
   
     

Diego Velazquez Saint Anthony Abbot Saint Paul the Hermit oil painting


Saint Anthony Abbot Saint Paul the Hermit
Museo del Prado, Madrid
Painting ID::  737
Diego Velazquez
Saint Anthony Abbot Saint Paul the Hermit
Museo del Prado, Madrid
   
   
     

Diego Velazquez Christ in the House of Martha and Mary oil painting


Christ in the House of Martha and Mary
National Gallery, London
Painting ID::  738
Diego Velazquez
Christ in the House of Martha and Mary
National Gallery, London
   
   
     

Diego Velazquez An Old Woman Cooking Eggs oil painting


An Old Woman Cooking Eggs
1618 National Gallery, London
Painting ID::  739
Diego Velazquez
An Old Woman Cooking Eggs
1618 National Gallery, London
   
   
     

Diego Velazquez The Immaculate Conception oil painting


The Immaculate Conception
National Gallery, London, England
Painting ID::  740
Diego Velazquez
The Immaculate Conception
National Gallery, London, England
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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